Films that blow your mind, help you see things from a new perspective, and that continue to shape cinema as we know it today. Combining reader votes with critics’ choices from Team Empire, here we have it – read it in full below. You might think that the beginning of this movie, which sees the protagonist contemplate suicide, is a bit dark for a Christmas movie. But George Bailey’s (Jimmy Stewart) journey to appreciate his own life is straight out of A Christmas Carol, so it’s worth a shot if you’re in the mood for some inspirational holiday viewing. One of the posters for Bridesmaids said “Chick flicks don’t have to suck! ” and “These are smart, funny women” in big bold letters, as if those two statements are hard to believe.
Every kid in high school dreamed of having a day off like Ferris Bueller’s and, frankly, I still aspire to have one like his as an adult. Come for each character’s hilarious antics, stay for the inevitable comparisons between Alan Ruck’s character, Cameron Frye, and his current character on Succession, Connor Roy. Number 90 of this list was amended on 16 September 2019 to correct the year the film Eden was released to 2014, from 2012 as an earlier version said. Number 91 was amended to correct a misspelling of the last name of Nicolas Philibert as Philbert.
Among the best to grasp that opportunity is Taika Waititi, who helped find Thor’s true funny bone, a more effective weapon than Mjolnir. Ragnarok, which shakes up Thor’s entire world (by, er, destroying it) is a hilarious take on a superhero story, full of action, while re-introducing Mark Ruffalo’s Hulk in fantastic fashion and having us meet the likes of Tessa Thompson’s Valkyrie and Jeff Goldblum’s Grandmaster. If you’re going to wrap up your tenure as one of the most loved superhero icons in fiction, it’s hard to think of a better way than how Hugh Jackman – with James Mangold directing — punched out on the time clock of playing Wolverine. Set in a dark near-future world where an aging Logan is caring for a mentally unstable Professor Xavier (Patrick Stewart) and getting mixed up yet again with some very dangerous people , Logan is a truly original superhero tale that is mournful without being morbid. It’s so outside the established mold, in fact, it’s honestly a wonder the film ever got made.
Although Troll could have easily descended into parody, Uthaug steers clear of smug self-awareness and instead delivers one of the most original takes on the genre in years. MDMom and Dad does not generally feature in ‘high-gross’ lists such as those published by Variety due to its independent distribution. Essentially belonging to the exploitation genre, it was marketed as an educational sex hygiene film in an effort to circumvent censorship laws.
If you don’t know why Miss Marilyn Monroe was and is such a big deal, take a look at this one. The film shows off her vocal chops as the lead singer of an all-girl band who dreams of wooing a millionaire. As her band travels to sunny Florida, she makes friends with two new musicians in the group, who she doesn’t realize are men in disguise and on the run.
Marilyn Monroe’s enduring popularity is due in large part to her tumultuous private life, but Some Like It Hot is a great reminder of her charisma and talent. In a Golden Globe-winning performance, she plays Sugar Kane, a singer who befriends two musicians who that are secretly dressed up as women because they are running away from the mafia after witnessing a crime. Iconic leading lady aside, it’s also just a near-perfect rom-com and considered one of the funniest movies ever made, which is made even more rare by the fact that it’s not super problematic 63 years later.
A photographer (Nia Long) and a poet (Larenz Tate) fall in love in one of the best romance movies of all time. In 2005, the sequel Before Sunset continues the story, and then in 2015 the trilogy is wrapped up with Before Midnight. That said, things in theatrical distribution are a little strange right now, so apart from some big recent blockbusters, there’s a mix of Oscar-winners, lingering releases, indies and classics booked—depending, of course, on the theater.
Blackberry isn’t a film that valorizes business, nor is it one that sinks its teeth all that deep. No matter how big these men’s invention gets, they always seem quite small, destined to be munched up by bigger world-changers. free movie sites Sometimes a great piece of art smacks you in the face, other times its effect creeps up on you. Kelly Reichardt’s films tend to work in the latter mode, and Showing Up—one of her best—is no exception.
Falling in with a group of Animal Liberation Front activists, Mija travels to Mirando’s headquarters in New York in a desperate effort to rescue her unlikely animal friend. Darkly satirical in places, Okja manages to explore themes of animal exploitation and environmental conservation without feeling preachy. On this chart, films are ranked by the revenues from theatrical exhibition at their nominal value, along with the highest positions they attained.
Grosses are not limited to original theatrical runs either, with many older films often being re-released periodically so the figures represent all the business a film has done since its original release; a film’s first-run gross is included in brackets after the total if known. Because of incomplete data it cannot be known for sure how much money some films have made and when they made it, but generally the chart chronicles the films from each year that went on to earn the most. In the cases where estimates conflict both films are recorded, and in cases where a film has moved into first place because of being re-released the previous record-holder is also retained. While inflation has eroded the achievements of most films from the 1950s, 1960s, and 1970s, there are franchises originating from that period that are still active.
Falling foul of the Motion Picture Production Code, Mom and Dad was prevented from obtaining mainstream distribution and restricted to independent and drive-in theaters. It was the biggest hit of its kind, and remained in continual distribution until the 1970s when hardcore pornography eventually took over. At the end of 1947 it had earned $2 million, and by 1949, $8 million; by 1956 it had earned $22 million in rentals, representing a gross of $80 million, and would have easily placed in the top ten films in the late 1940s and early 1950s. Once revenue from home entertainment is factored in, it is not immediately clear which film is the most successful. Titanic earned $1.2 billion from video and DVD sales and rentals, in addition to the $2.2 billion it grossed in theatres.
It’s got a little bit of everything, from action to suspense to comedy to romance. Humphrey Bogart delivers two of the most iconic lines in film history, and his chemistry with Ingrid Bergman is the kind of magic that people have been trying to recreate for 80 years. A 16-year-old Judy Garland stars as Dorothy Gale, and trust me, when you hear her sing “Somewhere Over the Rainbow,” you’ll understand why she’s such a legend. Frank Baum’s novel, but that won’t bother you as soon as Dorothy steps out of her black and white house into a world of color (literally). It might be more than 80 years old, but this movie is a classic for a reason. If you ask most people for a list of “the best movies ever made,” The Shawshank Redemption will probably be on it.
Bringing Miles Morales to the screen was a masterstroke, and Shameik Moore’s vocal work gives him buckets of charm. And it’s exactly right that we still don’t know what he whispered to her at the end. Bill Murray at the height of his loveable (eventually) schmuck powers.
Unless you’re the kind of shallow person who only watches movies that are ‘entertaining’. The sheer bludgeoning, blood-spilling, visceral power of its Omaha Beach, D-Day-landing opening act ensured that Steven Spielberg’s fourth World War II movie set the standard for all future battle depictions. Its shaky-staccato-desaturated style (courtesy of Janusz Kaminski’s ingenious cinematography) newsreel made cinema has been oft-copied, but rarely bettered. But if you really insist on only seeing one David Lean movie, then make sure it’s Lawrence Of Arabia, the movie that put both the “sweeping” and the “epic” into “sweeping epic” with its breath-taking depiction of T.E. Saoirse Ronan is perfectly precocious as the not-always-likeable Christine ‘Lady Bird’ McPherson, experiencing fractured friendships, first fuckboys, and fateful fumbles in her final year of high school in 2003 Sacramento.
Among other things, Nolan is interested in Oppenheimer’s contradictions, genius, inscrutability, and rationalizations–how the romance of a momentous achievement can blind ostensibly well-meaning people to their inevitable disastrous consequences. It’s a testament, then, to the potency of Nolan’s filmmaking–as well as Ludwig Goransson’s pulse-quickening score and Cillian Murphy’s magnetic performance–that Oppenheimer feels propulsive throughout. As a bonus, it will be hard for any movie this year to top the spectacle of the Trinity Test. Part science-fiction caper, part generational culture-clash movie, part weirdo family drama (in which the hero has to rescue his own existence after his mother falls in lust with him, eww), Back To The Future still manages to be timeless despite being so rooted in, well, time. And it might just have the best title of anything on this entire list. A joyous, vibrant Technicolor celebration of the movies, that’s such an essential viewing experience there should perhaps be a law that it feature in every DVD and Blu-ray collection.
Before winning Oscars and cementing his name in the Hollywood firmament for Parasite, Bong Joon-ho had something of a sideline in creature features. While 2006’s The Host remains worth hunting down, this 2017 saga of genetic engineering and animal exploitation may be the director’s best foray into the genre. After helping raise an enhanced “super pig” in rural South Korea, young Mija (Ahn Seo-hyun) is distraught when the American company behind its creation, Mirando, comes to take it back.